叶燮以“诗风正变论”为核心的文学史观
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2017 年国家社科基金项目“清代唐宋诗之争的主要理论问题与逻辑进程”(17XZW019)


The Theory about “Orthodoxy and Heterodoxy in the Poetic Style” of Ye Xie
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    摘要:

    叶燮将与时运诗运相关的“正变”隔绝在《三百篇》。对后《诗经》时代,则将“正”限制在建安诗,打破了诗体正变论,是为“诗风正变”论。其中汉魏至宋诗的“变”包含“启盛”和“有因”两个因素,否定了“因=盛”,改传统的“变=衰”为“变=盛”,直指明七子要害;而对“变”中有“因”的强调,也有力地批驳了楚风。叶燮将诗歌史视为“盛衰因变”的动态发展过程,并用“变而不失其正”贯穿关联。宋以后,“变”则是一般意义上的“改变”之意。叶燮指出“有意为工拙”为宋诗的突出价值,并达到踵事增华的顶点。

    Abstract:

    The core question in the book On the Origin of Poetry of Ye Xie, is the theory about “orthodoxy and heterodoxy in the poetic style”, which is against in times (just in The Book of Songs) , and in the poetry genres (just in the theory of classical poetic formal distinctions). Pursuing continuity and prosperity in the poetics are the key factors from Han to Song Dynasty. Ye Xie considers that heterodoxy can bring prosperity for the poetics, and conventionality can bring only recessionary to poetry, which hit the key of the neoclassical theories in Ming Dynasty. It is a dynamic process called “ prosperous or recessionary for carrying on or creating ”. Ye Xie emphasizes there is a mind to be skillful or clumsy in the Song poetry.

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唐芸芸.叶燮以“诗风正变论”为核心的文学史观[J].重庆师范大学学报社会科学版,2022,(3):65-75

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