Analyzing and discussing the deep connections between sound, meaning and emotion are conducive to reaching the core of reciting poetry texts during the Anti Japanese War. During the Anti-Japanese War, there was a close interactive relationship between political mobilization and the sound symbols of poetry. The recitation of poetry during the Anti Japanese War not only served and cooperated with the war, but also had a demonstrative effect on the artistic creation of recitation poetry. The relationship between the sound structure and textual semantics of anti Japanese recitation poetry mainly includes four semantic messages: guiding the recitation voice of the reciter in the narrative sense, arranging to expose the enemy's aggression and atrocities, describing the situation of the people's resistance, analyzing the necessity and legitimacy of resisting aggression, and issuing a call to participate in the anti Japanese war. The recitation of poems during the War of Resistance Against Japan established a sound framework to summon and inspire the political intention of the war. The interactive and symbiotic relationship between the phonetic wave flow, literal meaning, and textual semantic order within the poetry is mainly reflected in the correspondence and fit between the overall sound clues of the recitation poetry and the logical order of the overall content (meaning) of the poetry. In terms of auditory images and semantic sounds in reciting poetry texts, some directly depict auditory images and recite sounds to reproduce them for the audience to directly perceive, while others describe the existence of certain sounds or sound scenes, and recite sounds to stimulate the audience's auditory experience and feel this auditory image. In terms of sound code and textual meaning, it is characterized as the sound of recitation symbolizing the scene and object of encountering aggression and rising up in resistance, as well as the sound composition of recitation sound adapting to the situation and modality of the scene and event of encountering aggression and rising up in resistance. It is also reflected in the phonetic flow program of recitation sound, which corresponds to the changing order of events and situations of encountering aggression and rising up in resistance. Gaolan was an important poet in the creation of recitative poetry during the Anti Japanese War, and studying her poetry as the center has sufficient persuasiveness.